,
Random
EDF Energy London Eye timeline

East Acton

Nazelnut roulade with raspberries and cream

Hungerford bridge (part two)

A new era in tea

Notting Hill Gate

Southwark Bridge (part three)

Mummy portrait of Artemidorus

Bronze head of Apollo («Chatsworth Head»)

Blackfriars Bridge (part one)

Mold gold cape

'Fowling in the marshes', fragment of wall painting from the tomb of Nebamun

Rhind mathematical papyrus

The musicians

Geometric krater painted with a couple and a ship with oarsmen

News from our friends
XML error in File: http://www.anglophile.ru/en/rss.xml
XML error: Not well-formed (invalid token) at line 2
Most Popular
Peter Paul Rubens (1577-1640), Isabella BrantThis famous portrait drawing is of Rubens’ first wife, ...
Waterloo suicidesFor centuries people have been committing or attempting...
The queen of vintage - Hilary ProctorThere's only one thing more fabulous than Hilary Pr...
The Blues and RoyalsIn 1969 The Royal Horse Guards (The Blues) were amalgam...
London Oratory (Brompton Road)The Congregation of the Oratory was founded in Rome by ...
Clocks and watches - Martyn Stamp"1970s watches are very popular right now, whereas...
London bridge (part twelve)After the opening in 1836 of London Bridge station, the...
Guy's Hospital ChapelThe benefaction by which Thomas Guy founded the well-kn...
Discussed
Advertisement
Mithras slaying a bull

The cult of mithras originated in Persia but spread throughout the Roman empire during the first three centuries AD. In this marble statue the god Mithras is depicted killing a bull, the spilling of whose blood was believed to bring about the rebirth of light and life. The dog and the snake trying to lick the blood feature prominently in Persian religious imagery, as does the scorpion attacking the bull's genitals.
Marco Zoppo (с. 1432-78), Dead Christ Supported by Angels

The intensity of the pain and suffering depicted here on Christ's face, together with the emotions of the angels, suggest that this drawing on vellum was designed as a private work for personal devotion. Vellum was an extremely expensive medium, and it is possible that this drawing was made for presentation to a patron or as a highly finished work in its own right.
Mask of the Nulthamalth (fool dancer)

Тhis mask was made by members of the Kwakwaka'wakw nation, who live on Vancouver Island and the surrounding mainland of the Canadian province of British Columbia. It is used during the potlatch, a ceremony in which wealth is demonstrated through the act of giving it away, which is an important element of Kwakwaka'wakw culture.
Wooden bodhisattva mask

THE MUSEUM CONTAINS numerous masks from various parts of the world, many of which were made for use in religious ceremonies. This lacquered and gilded wooden mask from Japan is over 700 years old. It represents a Buddhist bodhisattva and would have been worn during a gyodo ceremony. This was an outdoor procession of Buddhist priests wearing masks, led by dancers carrying a shishi (lion) mask to exorcise the route.
Holy Thorn reliquary

THIS CHRISTIAN RELIQUARY was made to house a thorn from the Crown of Thorns, the wreath of thorns placed on the head of Christ at his crucifixion. Like the bones of the Buddha, the Holy Thorn was a very important and powerful religious relic.
Bimaran reliquary

This gold reliquary, an elaborate container for holding holy relics, was found in the XIX century in a stone box with an inscription stating that it contained some of the actual bones of the Buddha. However, both its lid and contents were missing. The reliquary was deposited in a stupa with pearls, beads and four coins dating to about AD 50 and is a crucial object in the study of the history of Buddhism.
[center]Sandstone stele with a figure of Harihara

This sculpture from India combines two Hindu deities in a single being, called Harihara. The four-armed figure is the composite form of the gods Shiva and Vishnu. The right side represents Shiva and the left side Vishnu. The background figures on the right are associated with Shiva and include his sons Ganesha and Kartikeya.
“Queen of the Night” relief

This spectacular terracotta plaque shows the image of an unidentified goddess from ancient Babylon. The plaque is made of baked straw-tempered clay and modeled in high relief. The curvaceous central female figure wears the horned headdress characteristic of Mesopotamian deities and holds a rod and ring of justice, symbols of her divinity. Her wings hang downwards, indicating that she is a goddess of the Underworld. She was originally painted red, with multicoloured wings, and the background was originally painted black, suggesting that she was associated with the night.
Gilded bronze figure of Tara

We do not know the name of the artist who created this image of the goddess Tara. Images of Tara have been made ofr hundreds of years. She was originally one of the Hindu mother goddesses, and with the development of Buddhism she became associated with the consort of Avalokiteshvara, the bodhisattva of compassion. Bodhisattva are beings who have reached the highest degree of enlightenment, but choose to remain in the world to help in the salvation of others.
Raphael (1483-1520), The Virgin and Child


Some of the world’s greatest works of art depict religious imagery. The image of the Virgin Mary holding Christ her son, has been drawn, painted and sculpted by artists thousands of times.